Red Light Fever Review
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| overall: 8.3 |
Reviewed by: Rock Pig, on march 23, 2009
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Sound: Justin Hawkins, former lead singer of The Darkness, has returned to the spotlight with a new band. The Darkness were undeniably very heavily influenced by bands such as Queen and AC/DC but were arguably let down by the commercial aspects of their songwriting. Hot Leg provide a much more focused sound than their predecessors and describe their musical style as “Man-Rock”. Kudos to them then for justifying the label they have given themselves, although some may be unconvinced that Justin Hawkins’ voice is suited to Hot Leg, who are a harder rock act than his former band. Indeed his falsetto is likely to polarise opinion but that will be focused on later on.
Guitar wise, there are some very impressive riffs on show, notably “I’ve Met Jesus,” a straightforward rock song with added elements of bluesy country all anchored on a powerful riff that immediately harks back to AC/DC. There are good guitar solos in abundance and Hawkins’ gritty blues rock lickbag contrasts very nicely with his foil, the very technically proficient Pete “Liquid Guitar Hands” Rinaldi.
The sound can occasionally be inconsistent though; there are elements of neo-classical in “Chickens” and a distinct modern rock vibe to “Cocktails,” and while these are not intrinsically bad things, they might initially feel slightly alien to classic rock fans. Overall though they provide a nice flavour and keep the album unique. It’s because of small elements like this in each song that the album proves to ultimately be a varied listen that never strays too far from it’s successful formula of strong riffs, outrageous falsetto and impressive guitar solos. // 9
Lyrics and Singing: This is the part of the album that is most likely to divide opinion heavily. The album is handled in an incredibly tongue in cheek manner (this is evident not only in the music but in the stage show; the outfit’s are ridiculous! ) and this is most prominent in the lyrics and singing. Hawkins’ falsetto is high in the mix and deservedly so; it’s a pleasure to listen to and even if you don’t like it there’s no denying his sheer technical prowess as a singer. Obviously not everybody is going to like this though and as such the album’s appeal is limited.
Lyrically speaking the album is again a silly affair, with subject matter ranging from chickens to Jesus. Hawkins must be applauded for his sheer creativity; “Cocktails” gives him an excuse to shriek “coo-o-oo-oo-oooock/cock, cock, c-cocktails” while escaping the Parental Advisory sticker, although this is going to be viewed as incredibly immature by many listeners; the same goes for “Gay in the 80s“.
But the lyrics are not meant to be deep or meaningful and they fit with the outwardly lighthearted demeanor of the music. In my opinion Hawkins deserves a ten out of ten but unfortunately music is strictly based on taste, and this album will inevitably polarise opinion among rock fans. // 7
Impression: Hot Leg are among a growing number of excellent classic rock revivalists, currently helmed by Airbourne and The Answer. Among these artists are the other band to spring from the remains of The Darkness, and these make for an interesting comparison.
It’s plain to see who gave what to The Darkness and it really demonstrates just what an individual Hawkins is; his ability to be both a serious rock musician and an outrageous glam rock star at the same time is impressive and makes for a scintillating live show that I cannot recommend enough. Of course a live show would be nothing without tunes and they are certainly here. For me the highlights of the album were “I’ve Met Jesus,” “Prima Donna,” and “Kissing In The Wind,” the latter providing an impressively mature ending to the album which has grandeur without pomposity.
I cannot stress enough that Hawkins falsetto is very much like marmite. But the fact is that if you can’t stand Hawkins you probably haven’t read this far and have probably already dismissed Hot Leg.
This would be a mistake. The Leg manage to blend classic riffs, brilliant singing, and superb guitar work with a multitude of interesting elements such as the country inflections of the rhythm guitar on “I’ve Met Jesus,” and while it almost seems funny at times, it’s a worthwhile listen which everybody will get something out of.
This music doesn’t have extreme longevity; it’s probably too silly to warrant a position as a piece of serious music in most peoples eyes which is a real shame because behind the glitter and the glam lies a solid rock and roll record. // 9
SXSW Music Day 4:
I would have loved to hang out and mingle with the Berlins at Prague, but I might’ve missed one of my most anticipated acts, Hot Leg, which is essentially The Darkness frontman Justin Hawkins‘ reincarnation of his latter glam-guitar-driven band. With their long hair wrapped in colorful headbands, frilly shirts and leather aplenty (Hawkins donned one of his usual chest-exposing, full-body suits), Hot Leg could’ve been easily mistaken for a Spinal Tap imitation at their Emo’s Annex show. But with their extremely technical, screaming riffs and an unrivaled stage presence that included pelvic thrusts aplenty, Hot Leg was no laughing matter (well, not completely).
davidhall
With an assortment of tracks from their debut album, “Red Light Fever,” Hot Leg created one of the most intimate, fist-pumping atmospheres of the evening. Hawkins even went so far as to pull out an old Darkness trick and ride around the audience on one (lucky?) fan’s shoulders while shredding on his pitch-black Les Paul.
With my ears still ringing from Hawkins furious falsetto, I started the long trek home. With only a couple of small shows left on Sunday, my week was essentially complete. Lesson learned from today: True rock n’ roll still lives, and it breeds at SXSW!
ShockHound’s SXSW Report: Day Four
Down the street from Stubb’s, a familiar voice from Emo’s Annex pierced the night air. It was Hot Leg, the new band by Justin Hawkins of the Darkness. Hot Leg play the same kind of campy cock rock he played with his last band, and are as paradoxically unironic — the lyrics might be funny, but the music is completely serious; as Hawkins and bass player Sam Stokes told ShockHound after the set, it’s the kind of “music people want to hear.” The delirious, pogoing, fist-pumping crowd, which at one point carried a soloing Hawkins on its shoulders, was evidence enough.
SXSW 2009 ARTIST ALERT: Hot Leg
After several South By Southwest days of seeing polite, sexless college-rock bands noodle on synthesizers while staring social-retardedly at their Converse, I couldn’t have been more ready to welcome the long-overdue return of JUSTIN FRIGGIN’ HAWKINS.
The former Darkness frontman’s glammy and hammy new rock ‘n’ roll brigade, Hot Leg, made their cranked-to-11 live U.S. debut at the Spin magazine SXSW party at Stubb’s Friday afternoon. And while I already knew that I’d missed Justin, I didn’t realize how MUCH I’d missed him until he hit the Stubb’s stage in a rivet-studded, unzipped-to-the-crotch, nothing-left-to-the-imagination tight leather jumpsuit, his glass-shattering falsetto echoing across Stubb’s backyard on new barnstormers like “I’ve Met Jesus” and “Cocktails.”
(The latter song boasted a stadium-singalong chorus with the word “cock” repeated about 87 times–how rock ‘n’ roll is that?)
Now THAT is a proper rock gig, people!
This show of shows ended most magnificently and memorably with Justin straddling the shoulders of a roadie and being carried like a king through the audience during his wonderfully wanky guitar solo. Even the most killjoy indie purists in the crowd (you know, the ones at the party to see Passion Pit and Cut Off Your Hands) had Warrant-style cherry-pie smiles plastered across their faces at that point. Because there was no doubting that Justin was BACK and brasher than ever.
“I was huge fan of the Darkness, and Hot Leg’s recent debut album is both incredibly tuneful and deeply funny. And Justin is the consummate old-school rock performer–with a capital P,” raved Spin editor Doug Brod, whose decision to book Hot Leg for Spin‘s SXSW bash makes him a rock-hero-by-association, in my eyes.
Right before Justin put on his leathers to play this awesome concert, I had the most delightful opportunity to welcome him back out of the darkness (pun intended) and into the spotlight, when I interviewed him and the rest of Hot Leg backstage at Stubb’s. I couldn’t help but geek out a bit, nearly dropping my camera because I was so tempted to do the devil’s-horn heavy metal sign with both my hands.
But I managed to compose myself, steady my hands on my camera, and capture the deeply funny interview below:
(The stupid video won’t let itself be embedded here. Follow the link below though, it works fine on the original page. P.)
SXSW 2009: Another round-up
You know what? It sounds like it’s become fun again for Justin Hawkins:
The frontman, formerly of The Darkness, got a fan to hoist him onto his shoulders towards the end of the band’s 11pm (CST) show at Emo’s Annex, with the fan making a circular walk around the venue while Hawkins played guitar.
Mind you, you have to watch it with using the fans as personal transportation devices. Those things break down on the motorway, and it’s really hard to get spare parts.
Justin Hawkins’ Hot Leg kicks into action at SXSW
Former Darkness man gets the leather out for Austin show
Justin Hawkins got up close and personal with his crowd tonight (March 21) at the South By Southwest festival in Austin, playing with his new band Hot Leg.
The frontman, formerly of The Darkness, got a fan to hoist him onto his shoulders towards the end of the band’s 11pm (CST) show at Emo’s Annex, with the fan making a circular walk around the venue while Hawkins played guitar.
Hot Leg were pulling out all the glam-rock stops for the show. Hawkins wore a leather jumpsuit complemented by his perm-style hair, while the four-piece head-banged throughout the set, playing impressive guitar solos along with falsetto wailing.
Hawkins almost slipped a cover version into the set, saying, “Shall we play a Todd Rundgren song?”, instead choosing to close the show with their own number ‘Cocktails’.
Hot Leg played:
‘I’ve Met Jesus’
‘Trojan Guitar
‘You Can’t Hurt Me Anymore’
‘Gay In The ’80s’
‘Heroes’
‘Prima Dona’
‘Whichever Way You Wanna Give It’
‘Cocktails’
SXSW videos
SXSW Friday: Hot Sun, Hot Leg
| Hot Leg? Hot Ass! |
We hit the Village Voice day party to catch a little bit of the moody/pleasant rock of Meese along with some sweet fajitas, and we were only at the Next Big Nashville day party long enough to catch some tuning up in between acts, but that’s because we managed to finagle some Spin Magazine invite-only laminates, and we wanted to catch Boston’s Passion Pit, Darkness frontman Justin Hawkins’ new outfit Hot Leg and maybe a little of Echo and the Bunnymen. So it was off to Stubb’s to clamor along with other badge-holders for a glimpse of what’s typically though of as a must-attend party. But we’re in a recession folks.
After getting our buttholes thumped beyond all imagination from in-between-set DJ offerings from Crystal Method, it was time for Hot Leg. Dude from Brooklyn Vegan told us that Hot Leg’s new record–only available in the UK–was “better than the second Darkness record but not better than the first Darkness record.” But when the band came onstage (featuring Hawkins sporting a full-length studded metal jumpsuit with a red bandanna and matching red leather gloves), we really can’t say that we cared anymore. We were here to be entertained, not courted.
| Sure, why not? |
The other guitarist looked like someone straight out of that band Kingdom Come (yeah! Remember them!?!?!), replete with billowy pirate shirt and leather vest. And the bass player? He knew what he was there for, and it was to make aggressively metal chewy faces.
But on to the tunes. It sounded like The Darkness, and on paper, it was everything you could want from falsetto-heavy glam rock with Queen harmonies straight off the Sunset Strip: It had blistering guitar solos, big finishes and all the over-the-top ridiculous posturing and bombast you’d expect. And there were lots of low, crotchy stances.
| Hot crotch. |
But not one of the songs’ choruses were memorable even mere minutes after the set was over. Ultimately, not one could hold a candle to “I Believe In A Thing Called Love” or even “You’re Really Growing On Me.” Highly entertaining, though.
| Not really growing on me. |
X Music, Dublin
SXSW Day 3
The first album by Hot Legs – former Darkness frontman Justin Hawkins’ new band – hasn’t released its first album in the U.S. yet, but the group is already working towards its second. Guitarist Pete Rinaldi and drummer Darby Todd told Billboard.biz on Friday – after the British quartet’s performance at a Spin-magazine afternoon party at South20By Southwest, one of four scheduled festival performances – that Hawkins and company were into “serious” songwriting for the follow-up to “Red Light Fever.” The group played one of the new songs, “Whichever Way You Want to Give It to Me (Theme From Hot Leg),” during is performance. “Red Light Fever,” which echoes the Darkness’ flashy, past-referencing pomp rock, was released Feb. 9 in the U.K. Its U.S. release date is pending. Hot leg has four more performances scheduled for SXSW.


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